Beatrice, Leonato's niece, asks the messenger about Benedick, Don Pedro's companion, and makes sarcastic remarks about his ineptitude as a soldier. Leonato explains that "There is a kind of merry war betwixt Signor Benedick and her. Claudio's feelings for Hero, Leonato's only daughter, are rekindled upon seeing her, and Claudio soon announces to Benedick his intention to court her. Benedick, who openly despises marriage, tries to dissuade his friend but Don Pedro encourages the marriage.
A victorious leader, he has respect and affection for his follower Claudio, for whom he asks the hand of Hero. Deceived like Claudio into thinking Hero false, he angrily shares in the painful repudiation of her at the altar. On learning of her innocence, he is deeply penitent.
A malcontent and a defeated rebel, he broods on possible revenge and decides to strike Don Pedro through his favorite, Claudio.
He arranges to have Don Pedro and Claudio witness what they think is a love scene between Hero and Borachio. When his evil plot is exposed, he shows his guilt by flight. He is a rather ineffectual villain, though his plot almost has tragic consequences.
A conventional hero of the sort no longer appealing to theater audiences, he behaves in an unforgivable manner to Hero when he thinks she is faithless; however, she—and apparently the Elizabethan audience—forgives him.
He is properly repentant when he learns of her innocence, and he is rewarded by being allowed to marry her. A voluble and attractive young man, he steals the leading role from Claudio.
He spends much of his time exchanging sharp remarks with Beatrice. After being tricked by the prince and Claudio into believing that Beatrice is in love with him, he becomes devoted to her. His witty encounters with Beatrice end in marriage. Her swooning is reported by Leonato as death.
Her character contains humor and generosity. She forgives Claudio when he repents.
Although sprightly and witty, she has a serious side. Her loyal devotion to Hero permits no doubt of her cousin to enter her mind.
She turns to her former antagonist, Benedick, for help when Hero is slandered and insists that he kill his friend Claudio.
When all is clear and forgiven, she agrees to marry Benedick, but with the face-saving declaration that she does so for pity only. A good old man, he welcomes Claudio as a prospective son-in-law. He is shocked by the devastating treatment of his daughter at her wedding. When Hero is vindicated, he forgives them and allows the delayed marriage to take place.
His telling Conrade of his exploit is overheard by the watch and leads to the vindication of Hero. Borachio is much disgruntled at being overreached by the stupid members of the watch; however, he confesses and clears Margaret of any willful complicity in his plot.
Friar Francis Friar Francis, a kindly, scheming cleric. He recommends that Hero pretend to be dead. His plan is successful in bringing about the repentance of Don Pedro and Claudio and in preparing the way for the happy ending.
Dogberry Dogberry, a self-important constable. Verges Verges VUR-jehsa headborough. An elderly, bumbling man and a great admirer of his superior, the constable, he seconds the latter in all matters. Margaret Margaret, the innocent betrayer of her mistress, Hero.
Ursula Ursula UR-sew-luha gentlewoman attending Hero. She is one of the plotters who trick the sharp-tongued Beatrice into falling in love with Benedick.
A sexton A sexton, who serves as recorder for Dogberry and the watch during the examination of Conrade and Borachio.In Much Ado About Nothing, as in most Shakespeare plays, the star of the show is the language: its beautiful poetry and prose, its use in clever wordplay, its use as a means of wooing, its use as a.
Detailed analysis of Characters in William Shakespeare's Much Ado About Nothing. Learn all about how the characters in Much Ado About Nothing such as Benedick and Beatrice contribute to the story and how they fit into the plot.
Benedick is one of the most histrionic characters in the play, as he constantly performs for the benefit of others. He is the entertainer, indulging in witty hyperbole to express his feelings. He delivers a perfect example of his inflated rhetoric when Beatrice enters during the masked ball.
In the play Much Ado About Nothing by William Shakespeare, love is an important and consistent topic. The topic of love advances throughout the play as the central characters go through the stages of . The character of Beatrice in Much Ado About Nothing from LitCharts | The creators of SparkNotes.
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she is tricked by Hero and Ursula into falling in love with and marrying Benedick by the end of the play. The real turning point in the play for Benedick is at Hero’s (first) wedding, when he chooses to stay with Hero and look after her, instead of automatically leaving with Don Pedro, Don John, and Claudio.